Notes from the sketch book

After For a Few Dollars More proved a hit, United Artists wasted no time. They approached Luciano Vincenzoni, the film’s screenwriter, eager to lock down the rights not just to that film, but the next one in the series. The problem was, there was no next film—not yet. Vincenzoni, along with producer Alberto Grimaldi and director Sergio Leone, didn’t have a plan. But on the spot, Vincenzoni pitched what would become the backbone of The Good, the Bad and the Ugly: three rogues on the hunt for treasure, set against the backdrop of the American Civil War. United Artists liked...

Sergio Leone, born on January 3, 1929, in Rome, came from a family steeped in the early days of Italian cinema. His father, Vincenzo Leone, a pioneering filmmaker known professionally as Roberto Roberti, and his mother, silent film actress Bice Valerian (Edvige Valcarenghi), instilled in him a passion for the screen. Leone's upbringing in this creative environment set the stage for his later innovations in film. Interestingly, as a child, he shared a classroom with Ennio Morricone, who would go on to be his most important musical collaborator, shaping the soundscapes of his most famous films.   Leone's foray into...

By 1965 and after the success of a fistful of dollars in Europe, Clint was a superstar in Italy and despite only seeing an Italian version of the first film, so impressed by the visuals he agreed to make a sequel. With the success in Europe the budget was increased and the Leone partnership with Alberto Grimaldi began. Sergio Leone’s For a Few Dollars More marks a significant moment in the director’s evolution after his debut, a film that is both a gritty, violent Western and an exploration of vengeance and redemption.  Often overshadowed by A Fistful of Dollars and...

A lone gunslinger rides into a desolate, corrupt town, and you can almost feel the dust settle around him. In A Fistful of Dollars, Clint Eastwood plays the Man with No Name, a figure so enigmatic and taciturn that he might as well be a ghost. Just don't laugh at his mule. “ I don't think it's nice, you laughin'. You see, my mule don't like people laughing. He gets the crazy idea you're laughin' at him.”  It’s a border town, torn apart by two warring factions—the Rojo brothers, who run the smuggling trade, and the Baxters, the town’s so-called...

In this new art collection and series of 'Notes from the Sketchbook,' I’m diving into the Western genre, with a special focus on Clint Eastwood’s journey from 1950s TV star to iconic movie figure. Eastwood’s rise to stardom came through Sergio Leone’s Dollars Trilogy, those spaghetti Westerns that reinvented the genre. I’ll be watching, reviewing, and creating art inspired by these films, tracing how Eastwood’s image evolved, leading to his masterful deconstruction of both the Western and his own mythos in Unforgiven. But before I start with A Fistful of Dollars, we have to look East—back to Kurosawa’s Yojimbo, the...