An American Prometheus: Oppenheimer by Christopher Nolan

"Now I am Death, the Destroyer of Worlds"

Christopher Nolan's new movie Oppenheimer unveils the enigmatic journey of J. Robert Oppenheimer, with a resolute focus on the building of the "gadget" and the tumultuous trials that ignited fervent debates among historians. The fallout of Oppenheimer's treatment is candidly depicted, yet the film resists painting him solely as a victim. Instead, Oppenheimer's tale is artfully woven into a tapestry of contrasts – a celebrated hero to many and a divisive figure to others, thereby unraveling the intricate layers of his legacy.

(My artwork created is available here)

A striking aspect of the film that might split audiences lies in its non-linear narrative, an artistic flourish that interlaces disparate epochs, revealing glimpses into Oppenheimer's storied past and poignant present. The dance between timelines has its proponents, finding the artistic audacity both riveting and thought-provoking, while others argue it imposes needless convolution upon the narrative.

Despite the film's protracted three-hour duration, I remained bewitched throughout, the credit of which lies squarely on the shoulders of the extraordinary ensemble cast and of course the film's director. In particular, Cillian Murphy emerges as the unequivocal star, his portrayal of Oppenheimer an immersive tour de force, rendering the audience captive to his compelling rendition. The entire cast, in symphonic harmony, enriches the narrative with authenticity, even the minutest of roles are imbued with charisma and talent.

Amidst the familiar cinematic trope of frenetic blackboard scribbling, symbolizing scientific brilliance, lies an array of abstract moments, akin to a journey into the heart of the atom itself. The sets themselves seem to tremble and quake, mirroring the tensions and seismic shifts coursing through Oppenheimer's world, triggered by the unstoppable reaction he has set in motion.

Oppenheimer dares to challenge its audience, an exhilarating high-wire act that demands engagement and comprehension while maintaining utmost clarity. The build towards the cataclysmic events of the Manhattan Project will leave viewers breathless, transported to a realm of scientific discovery and wartime urgency.

Ludwig Göransson's score stands as an apex of musical genius, undoubtedly one of the year's finest. Within the film's soundscape, a recurring motif emerges—an unyielding crescendo of thunderously stamping feet. Once a moment of triumph and glory, a pinnacle in Oppenheimer's illustrious career, it metamorphoses into a harbinger of impending doom, mirroring the escalating threat posed by the physicist's groundbreaking work.

A discerning eye may discern a slight wane in the film's momentum following the crescendo of the Manhattan Project. It meanders through courtrooms in the afterglow, exploring Oppenheimer's later life and struggles. It begs the question once the power was taken from Oppenheimer did he then oppose future development of mass destruction or was it the guilt of causing so much destruction and a nuclear arms race? Although some may perceive this interlude as a nadir, it is but a fleeting quibble in an otherwise fantastic piece of cinema.

In stark juxtaposition to the director's previous venture, the polarizing "Tenet, this heralds a triumphant return to form. With acumen and sentiment, it unveils the captivating tale of one man's existence and his profound role in molding history's course.


Without a shadow of a doubt, this film based on the book "American Prometheus" will gain awards and accolades. Its arresting narrative, breathtaking performances and the director's masterful hand culminate in a film that stands head and shoulders above the rest. Irrespective of your like for historical dramas, scientific interest, the acting in this film is destined to leave an imprint upon the viewer.

In a cinematic landscape which is in uncertain times, Nolan is one of the few directors left that can make original interesting films on such a scale that no streaming service can replicate.

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