Notes from the sketch book — western

Going West: Unforgiven (part two)

Clint Eastwood Going West western

Going West: Unforgiven (part two)

Gene Hackman, in a performance that rightly earned him an Oscar, carves Little Bill Daggett into something far more unsettling than your run-of-the-mill villain. In fact it wouldn't be a stretch to see this movie as having two main protagonists akin to another 90s film ‘Heat’, Daggart fancies himself a keeper of the peace, a man who lays down the law – no guns allowed in his town and takes a certain gruff pride in wearing that sheriff’s badge. He’s even building a house, a solid, grounded thing, a symbol of settling down, of domesticity. Except, like the man himself,...

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Going West: Unforgiven (Part One)

Clint Eastwood Going West western

Going West: Unforgiven (Part One)

Clint Eastwood, grizzled and carrying the weight of a violent past like a worn saddle, plays William Munny, a widowed pig farmer coaxed out of retirement for one last, bloody job. Two cowboys have disfigured a prostitute, and her fellow women have pooled their meager earnings to hire someone to deliver justice – or rather, revenge.   The opening and closing images of Clint Eastwood’s Unforgiven (1992) linger: a lone house, a solitary tree, silhouetted against a vast, indifferent sky, often bathed in the melancholic light of sunset or twilight. Most importantly there's a grave marker, Claudia’s name a constant...

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Going West: The Outlaw Josey Wales

Clint Eastwood Going West western

Going West: The Outlaw Josey Wales

It's the penultimate film in my Western series and this time we are looking at Eastwood's, The Outlaw Josey Wales. It's a tale that starts off with revenge through violence that morphs into one about survival. Josey Wales, a farmer and family man whose life is irrevocably shattered by the senseless violence of some Union forces in the waning days of the Civil War. His response is not one of reconciliation, it's a deep, simmering rage that propels him away from any notion of a negotiated peace. A sole outlaw, hunted. Initially we are dropped into Josey Wales's world in...

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Going West: High Plains Drifter

Clint Eastwood movie Movie review western

Going West: High Plains Drifter

Eastwood, fresh from his Leone collaborations, was already a force to be reckoned with, but with this his second directorial effort, it was a clear assertion of his artistic independence. He wasn’t content to merely inhabit the stoic, laconic cowboy; he wanted to shape the entire landscape. He wanted to mold the narrative to his own unsettling vision. The script was written by Ernest Tidyman, the man behind The French Connection, was already a dark brooding affair. Eastwood, ever the revisionist, injected it with his own brand of moral ambiguity. The stark, wind-scoured terrain of High Plains Drifter offered Eastwood...

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(Recap) Going West: 1961 to 1966

Clint Eastwood movie Movie review movies Sergio Leone western

(Recap) Going West: 1961 to 1966

This art collection is an examination of the Western genre, specifically focusing on Clint Eastwood's transition from television actor to cinematic icon. The series intends to analyze Eastwood's evolution, tracing his rise to prominence through Sergio Leone's "Dollars Trilogy," films that redefined the Western's visual and narrative language. The intention is to observe, assess, and produce artistic interpretations inspired by these films, ultimately culminating in a study of Eastwood's role in the deconstruction of the Western archetype. However, the series initial point of departure is not Leone's work, but Akira Kurosawa's "Yojimbo." This choice underscores the acknowledgement that cinematic influence...

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